Working with notions of personhood and individual ontology, the subject matter of 'A Little is Good' are her immediate surroundings. In this environment, traces and textures account for her being, while the inclination of these surfaces to change are measures of her existence. The selection of objects are 'everyday', but they are also evidence, tying their being to a unique existence in time and in the photographer's personal history. 
Words by An Nguyen.