Growing up alongside vast wheat fields in Dorset my childhood was spent holding a fascinating curiosity with crop circles. Equal parts awe and fear, the shapes and formations played on my mind and often stopped me from following countryside footpaths.
Carving artwork into the landscapes is nothing new for the area, with chalk horses adorning many of the hillsides. Taking imagery from various ephemera, guidebooks, and early 2000s news exchanges the spreads invite new readings, to situate these formations, often dismissed as hoaxes or curiosities as deliberate artistic interventions.